For some reason I nearly always feel very comfortable using a TLR and the Rollei T in particular. The camera I used through my Art school years was a Minolta Autocord II that focused with a leaver beneath the taking lens which was almost as good as the Rollei left hand focus wheel (knob) The disadvantage was that in cold weather (for me) it was too easy to catch the shutter if the leaver happened to be on the RHS at the start of focusing. Other than that the lenses and the film advance is much the same. Like really the linking of the aperture and shutter speed on the T and peculiarly I think the Rollei T is the only TLR that has that feature. Several TLR’s have 645 adaptor mask and counter wheels but as far as I know only the T in the house of Rollei. I’m going to put some fast 800 colour film in it next something that I have never used in medium before !
First Basin
A rainy night in Launie
A rainy night in Launie with apologies to Brook Benton. With a voice as rich and as smooth as oiled mahogany ‘A rainy night in Georgia’ epitomises the sheer haunting beauty of the black soul voice.
As for my picture the digital camera can do things which become tediously trying with film and these days expensive. Even with practice experience there are only two films I would consider for night work Fuji ACROS and Ilford 3200 rated at 1600. The former because ACROS film is unique in as much as one doesn’t have to account for reciprocity failure and the Ilford film because it can be pushed to 6400 and beyond (12500 anyone!) with acceptable results when developed in Ilfotec DDX, which sadly is perhaps the most expensive developer available in Australia… The above was made on an OM systems EM5 and the reason how I could capture this is the absolutely remarkable image stabilisation that the camera offers. No tripod needed!
Through the Scotch pines…
Tasmania’s climate and soils are such that they can with a bit of care support plants from the sub polar to the sub tropical so its no surprise that the first migrants brought with them the plants that were part of their diet or part of their cultural heritage. Trees have for many been part and parcel of both, those they need to use, like to look at or eat the fruit from. As a result the Cataract Gorge being a park both botanical and recreational has many of those trees that were familiar to the first settlers from their former homelands and those they passed through on the way to this their new home. Most of the parks and open land in Launceston illustrate this occurrence with the huge variety of species purposely planted. We are still fortunate to have this legacy, however the pressure and the need for more residential homes is threatening so many of these magnificent and in some cases rare species of trees…
A foggy morning in the First Basin
The North Esk River flows into the Tamar River via Cataract Gorge. The North Esk is a massive drain for a huge area of land that runs from the Western Tiers (the Great Western Mountains) to the City of Launceston in Tasmania. It is prone to flooding in fact the place where I stood to make this photo is now under three metres of water after only a few days of rain.